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Lazarkiewicz, Olszanska, Zamecka, Bortkiewicz, and Sauter are the jurors of short films at Tofifest IFF

Magdalena Lazarkiewicz, Michalina Olszanska, Anna Zamecka, Marcin Bortkiewicz, and Marcin Sauter are going to sit on a jury for the Shortcut Competition at Tofifest. They will select the best films out of the thirty candidates qualified for this competition. Thirteen of them will have their Polish premières during the festival.

This year, Tofifest has set a new record of submissions received for the short cut competition. We have received almost 4,000 films to select the best of them for the competition. It made the selection an extremely tough task. I am quite sure that we have received submissions from every corner of the world. Overall, we will see thirty films, in which we found some artistic novelty. The selected films are quite surprising and definitely stand out among all the rest, assures Szymon Zdzieblo, qualifier of films for the section.

The range of topics discussed in the films is enormous. The programme contains surrealistic animations, which discuss the place of man in the universe (the Swiss “Circuit” about a micro-scale ecosystem of people, or the Polish “The Other” about waiting for a mysterious stranger); short fictions capable of making you both smile and cry (the Polish “Relax” about a manager of a holiday resort waiting for refugees to come; the Slovak “Warm Comedy about Depression, Madness and Unfulfilled Dreams” about emotions; or the Lithuanian “Where Things, Where People Disappear” about a kleptomaniac working at a sports club); poetic visions (“Sparrow” from New Zealand, about a boy, who believes he can fly); and socially committed films (for example “Judgement” from the Philippines, which discusses domestic violence, or “Prisoner of Society” about a transsexual woman living in Georgia).

Tofifest has always perceived the short film competition as a significant one, because looking at the young filmmakers at the other end of the camera is the only way of predicting the directions cinema will go to, in the future – after all, in a few years, directors of short films will set the tone of future cinema. For that reason, the festival establishes a professional jury to give awards in this particular section, every single year. This year, the jury includes Michalina Olszanska – who is not only praised for her artistic accomplishments in Poland, but also having a spectacular career in Russia, Anna Zamecka – an acclaimed director of a documentary “Communion”, which won awards all over the world, Marcin Bortkiewicz – a renowned theatre and film director, who made a mark with his début film “Walpurgis Night”, Magdalena Lazarkiewicz – the director of the cult film “The Last Schoolbell”, and Marcin Sauter – a photographer and documentary maker connected with Bydgoszcz.

Results of their deliberations will be announced on 27th October, during the Closing Ceremony of the festival.


A list of films qualified for the
Shortcut international competition:

  1. Aamir, dir. by Vika Evdokimenko, USA/Great Britain, 17’
  2. Black Dog, dir. by Joshua Dean Tuthill, USA, 15’
  3. Blau, dir. by David Jansen, Germany, 15’
  4. Botanica, dir. by Noel Loozen, Holland, 13’
  5. Circuit, dir. by Delia Hess, Switzerland, 8’
  6. Coyote, dir. by Lorenz Wunderle, Switzerland, 10’
  7. Dots, dir. by Eryk Lenartowicz, Australia, 23’
  8. Gabriel, dir. by Oren Gerner, France, 12’
  9. Generalprobe, dir. by Jannis Lenz, Austria, Germany, 15’
  10. Hector’s Nightfall, dir. by Ariel Gonzales, Mexico, 29’
  11. Warm Comedy about Depression, Madness, and Unfulfilled Dreams, dir. by Michal Duris, Slovakia, 22’
  12. III, dir. by Marta Pajek, Poland, 12’
  13. The Other, dir. by Marta Magnuska, Poland, 5’
  14. Joy, dir. by Gold Abini, Germany, 14’
  15. Judgement, dir. by Raymund Ribay Gutierrez, Philippines, 15
  16. Kalendar, dir. by Igor Poplauhin, Russia, 28’
  17. Where Things, Where People Disappear, dir. by More Janaviciute, Lithuania, 22’
  18. Lachez les chiens, dir. by Manue Fleytoux, France, Belgium, 21’
  19. Mesle Bache Adam, dir. by Arian Vazirdaftari, Iran, 20’
  20. Wieczne cienie/Nuclear Shadows, dir. by Marek Leszczewski, Poland, 15’
  21. Mon amour, mon ami, dir. by Adriano Valerio, Italy, 16’
  22. Prisoner of Society, dir. by Rati Tsiteladze, Georgia, 15’
  23. Relax, dir. by Agnieszka Elbanowska, Poland, 26’
  24. Salam, dir. by Claire Fowler, USA, 14’
  25. Sparrow, dir. by Welby Ings, New Zealand, 15’
  26. Susotazs, dir. by Toth Barnabas, Hungary, 16’
  27. Theatrum Magicum, dir. by Marcin Gizycki, Poland, 23’
  28. Users, dir. by Jakub Piatek, Poland, 29’
  29. Wren Boys, dir. by Harry Lighton, Great Britain, 11’
  30. Yan Bian Shao Nian, dir. by Wei Shujun, China, 15’

Biographical notes about the jurors:

Michalina Olszańska was born in 1992, in Warsaw. She is an actress, writer, violinist, and singer. She has graduated from the Zenon Brzewski First Level Music School in Warsaw. In 2011, she started studying at The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw. She was cast in many Polish and international film productions, including, among others, Fanciful, Anatomy of Evil, Love in the City of Gardens, Matilda, Musicians, and The Son of Snow Queen. The greatest breakthrough in her career came with her performance in The Lure by Agnieszka Smoczyńska. She was also granted accolade for her role in I, Olga Hepnarová by Tomáš Weinreb and Petr Kazda, for which she also received the Czech Lion Award. Recently, she has impersonated Pola Negri in Clash of Futures, an international TV production. She is also cast in 1983, a TV series that will be available on Netflix, currently in postproduction, and in the Portuguese film Carga.

Anna Zamecka is a Polish film director, screenwriter, and film producer. She studied cultural anthropology, journalism, and photography, in Warsaw and Copenhagen. She is a member of the Polish and European Film Academies. Her full-length début Communion (2016) won many prestigious awards, including an award of the Semaine de la Critique section at Locarno International Film Festival, the Eagle Polish Film Award, and the European Film Award in the Best European Documentary (2017).

Marcin Bortkiewicz is a director of short films, feature film, documentaries, and commercials. He has graduated from the University of Gdansk and Wajda School. He is a member of the Polish Filmmakers Association. He made his début with Walpurgis Night, which won The Young and Cinema award for the Best Script, along with the Best Actress Award, the Audience Award, the Journalists' Award, and the Youth Jury Award at the Koszalin Debut Film Festival, in 2015. His short début Drawn from Memory was screened at the Directors' Fortnight (Quinzaine des Réalisateurs) section of the Cannes Film Festival, in 2012. Marcin Bortkiewicz has also directed a number of episodes for popular Polish TV series. Currently, Marcin is working on two feature projects, in cooperation with PS Film Sebastian Petryk.

Magdalena Lazarkiewicz completed culture studies at the University of Wroclaw (1976). In the years 1977-1978, she was an art director of the Stefan Jaracz Theatre in Olsztyn. In 1982, she graduated from the Krzysztof Kieslowski Faculty of Radio and Television in Katowice. In the season 2005/2006, she was an art director of Teatr Nowy PRAGA. She has been an academic teacher at the Warsaw Film School, since 2006, and at AMA Film Academy, since 2012. She has directed numerous theatre and television productions, documentaries and feature films, and TV series. She has the following film productions to her name: The Last Schoolbell, White Marriage, The End of the World, Dance Marathon, and TV series titled Ekipa (in cooperation with Agnieszka Holland and Kasia Adamik) and Głęboka woda (in cooperation with Kasia Adamik and Olga Chajdas). In 2016, she was awarded the Silver Medal for Merit to Culture – Gloria Artis.

Marcin Sauter was born in 1971, in Bydgoszcz. He studied photography at the Film School in Lodz. From 1994 to 1998, he worked as a photojournalist for “Gazeta Wyborcza” daily newspaper, and cooperated with “Rzeczpospolita” daily newspaper and “Pozytyw” monthly magazine. He is a member of the Association of Polish Art Photographers (Związek Polskich Artystów Fotografików). In 2005, Marcin Sauter completed the DOK PRO Documentary Programme at Wajda School. Currently, he is conducting yearly film courses for secondary school pupils and students, under the name “Film Kindergarten” (Przedszkole Filmowe). Back in 2007, he and Maciej Cuske created “Bydgoska Kronika Filmowa” (The Bydgoszcz Newsreel), which are both a studio and a documentary film course. He has been making documentary films since 2005, both as a director and camera operator. His films include Behind the Fence (2005), The Travelling Cinema (2005), The First Day (2007), North from Calabria (2010), Hakawati (2011), The Source (2014), and Zhalanash - Empty Shore (2017).

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